Nelimarkka-Museo

NELIMARKKA MUSEUM

The Nelimarkka Museum, named after its founder, painter and professor Eero Nelimarkka, was first opened in 1964. The Museum is the Regional Art Museum of Southern Ostrobothnia (since 1995). Its main focus is on art education: workshops and other events are organized for the public regularly.

Hartaushetki Alaviitalassa (1924), öljy pellavakankaalle, 145 x 210 cmHartaushetki Alaviitalassa (1924), öljy pellavakankaalle, 145 x 210 cm

The Museum is also responsible for researching Ostrobothnian art and hosting an artist-in-residence program. The Museum building, designed by Nelimarkka’s friend, architect Hilding Ekelund, has characteristics of classical and Mediterranean architecture. The multi-storey building is wheelchair accessible. The Museum’s permanent exhibition displays Nelimarkka’s art with varying emphases.

Nelimarkka-museo - Historia

The changing exhibitions present mainly contemporary art. The former atelier of Eero Nelimarkka is located at the basement. The adjoining halls are designed to exhibit drawings and prints. Other Museum amenities include Café de Nelimarkka (open in the summer and for groups in the winter) and Museum Shop Neljän markan putiikki. Both are located at the museum building. Villa Nelimarkka, the former atelier and summer house of Eero Nelimarkka, is located 500 meters from the museum. The Nelimarkka Residence operates in the building. Restored in 2013, Villa Nelimarkka also functions as an exhibition space and event venue. The Museum also administers Villa Väinölä, a building by architect Alvar Aalto at the town centre.

Alaviitalan piha (1922), öljy pellavakankaalle 79,5 x 114 cmAlaviitalan piha (1922), öljy pellavakankaalle 79,5 x 114 cm

Talo Ranskassa (1920), öljy pahville, 47 x 62 cmTalo Ranskassa (1920), öljy pahville, 47 x 62 cm

Maisema Seinäjoelta (1962), öljy kankaalle, 149,5 x 230,5 cmMaisema Seinäjoelta (1962), öljy kankaalle, 149,5 x 230,5 cm

RESIDENCY

The Nelimarkka Residency carries out Eero Nelimarkka’s long-term dream of having fine art also in the countryside. The residency is located in a rural setting, four kilometres from the small Alajärvi Centre, close to a lake and natural surroundings. Circa 10 artists live and work at the residency annually.

Nelimarkka Residency is looking for artists on all fields of visual arts.

Deadlines for 2018-2019 residencies:
1st DEAD LINE: 15th of April 2018 for November 2018 to April 2019
2nd DEAD LINE: 15th of October 2018 for May 2019 to October 2019
Ask for available residency periods and possible cancellations for 2018.

A residency includes the use of a studio, common areas, and a private bedroom. The Villa can accommodate two artist at a time.
There are two options: a separate bedroom with open studio space or a studio combined with bedroom. Both of the studios and bedrooms are upstairs.

The artist pays for their own material, living and travel expenses. The museum usually offers a workshop to the museum’s customers together with the artist-in-residence. The museum provides the material for the workshop.

Nelimarkka-museo - Residenssi

The residency building, Villa Nelimarkka, is located 500 meters from the museum and 4 km from Alajärvi town center. The gambrel roof villa was designed and built by Eero Nelimarkka as a summer house for his family in 1933. It was completely restored to its old looks in 2013. The Villa has a large yard and the upstairs was designed specifically as a studio space. The rent for a private bedroom with a shared kitchen and bathroom is 400 euros/month (incl. taxes) or 200 euros plus a donated art work or a workshop for the museum. The bedrooms and studios are located upstairs. During the summer, the downstairs is open to the public Tue-Fri 13-17 and there are occasional events at other times.

HOW TO APPLY FOR A RESIDENCY

Please fill out and print the Application Form (remember to sign it) and send it via mail or email. Please attach your work plan, previous work examples and a CV/resume. Please include the preferred date(s) and length of your stay on your application.

Send your application to:
Nelimarkka-museo
Pekkolantie 115
FI-62900 Alajärvi
FINLAND
or email to: info@nelimarkka-museo.fi

If you cannot fill out the application document in word, you can also print out the PDF Form.

VILLA NELIMARKKA

Nelimarkka-museo - Villa Nelimarkka

Villa Nelimarkka was designed and built by Eero Nelimarkka as a summer house for his family in 1933. It was completely restored to its old looks in 2013. The Villa has a gambrel roof and the upstairs with large windows was designed specifically as a studio space. There is a smoke sauna in the large yard. The Villa serves as an event venue, exhibition space and a residency building. It is open for public in the summer and can be rented for private events. Address: Pekkolantie 67, Alajärvi

VILLA NELIMARKKA's HISTORY IN FINNISH

Vaasassa syntynyt taidemaalari Eero Nelimarkka oli asunut vakituisesti Helsingissä jo parinkymmenen vuoden ajan, kun mieli rupesi tekemään takaisin synnyinseudulle. Vaasa ei enää miellyttänyt vaan Nelimarkka halusi muualta sellaisen sopukan, ”missä voi kaikessa rauhallisuudessa syventyä itseensä ja työhönsä”. Mieluisa tontti löytyi isän kotikylästä Alajärven Pekkolasta. Nelimarkka teki huvilansa kaikki piirustukset itse. Kivijalkaa alettiin muurata kesällä 1928, pärekatto saatiin laitettua kesällä 1932 ja ”Kivikko” nimisen huvilan perusosa oli valmis.

Nelimarkka-museo - Villa Nelimarkka

Huvilan valmistuttua Nelimarkka vietti paljon aikaa Alajärvellä maalaten maisemia ja laatukuvia. Tupakuviinsa hän maalasi henkilösommitelmia ja käytti malleinaan sukulaisia tai naapureita Pekkolan kylästä ja Hoiskosta. Nelimarkan pääasiallinen elanto tuli vielä 1930 -luvulla muotokuvamaalauksesta.

Sotavuosina perhe vietti paljon aikaa Alajärvellä. Nelimarkka maalasi pelkistettyjä, tunneherkkiä maisemia ja käytti lähes läpikuultavia värejä. Sotien jälkeen ”[…]oli tapahtunut ihme, sillä ihmiset ostivat kilvan taidetta!” Kaupaksi kävivät etenkin eteläpohjalaiset maisema- ja tupakuvat. Nelimarkalla oli nyt varaa tehdä pitkiä, kuukausien mittaisia matkoja yhdessä Saima-vaimonsa kanssa ja käynnit Alajärvellä vähenivät. Hän vuokrasi huvilan vuosiksi 1947 – 1952, koska oli päättänyt matkustaa myös kesäisin sekä Lapissa että ulkomailla ”rikastuttaakseen aihepiiriään”.

Saima-vaimon kuoleman jälkeen 1953, suunnitteli Nelimarkka jopa huvilan myymistä Pekkolan kyläkouluksi, mutta alkoi kuitenkin itse viihtyä taas Alajärvellä. Myös lapset perheineen pitivät Nelimarkan huvilaa mieluisana kesänviettopaikkana. Huvilalla olon myötä nousi pitkäaikainen haave taidekoulun perustamisesta pintaan.

Nelimarkka pyysi Opetusministeriöltä suositusta Yhdysvaltain opintomatkaa varten: ”Vuosikymmeniä on mielessäni ollut koulun perustamis aije maalaustaiteen opetuksen antamista varten.” Puoli vuotta kestänyt opintomatka lujitti Nelimarkan taidekouluajatusta. Hän teki huvilaansa laajennuksen 1962. Tarkoituksena oli sijoittaa sinne sekä Nelimarkka-Rahasto säätiön kokoelma että taidekoulu. Rakennus osoittautui kuitenkin liian pieneksi. Nelimarkka osti sukulaisiltaan isänsä maatilan, sijoitti kokoelman tilan asuinrakennukseen ja alkoi pitää kursseja siellä 1962. Uusi museorakennus Nelimarkka-museo, asuinrakennuksen vieressä, avattiin 1964. Nelimarkka-museon valmistumisen jälkeen Eero Nelimarkka majoittautui museon viereiseen asuinrakennukseen ja huvila jäi lasten kesänviettopaikaksi.

Nelimarkka-museo - Villa Nelimarkka

Nelimarkan kuoleman jälkeen huvila oli vuokralla useita vuosia ja sen jälkeen pitkään tyhjillään, kunnes se ensin siirtyi Osakeyhtiö Pekkola Oy:n ja myöhemmin Alajärven kaupungin omistukseen. Nelimarkan huvilaa ryhtyi kunnostamaan pienin varoin vuonna 1993 perustettu Eero Nelimarkan huvilaseura ry. Alajärven kaupunki vei kunnostuksen päätökseen ja kesällä 2013 huvila vihittiin käyttöön nimellä Villa Nelimarkka. Huvilassa on järjestetty kyläjuhlat, näyttelyitä, konsertteja ja monenlaisia tapahtumia. Residenssitoiminta laajeni huvilalle 2014 ja siirtyi sinne kokonaan, Nelimarkka-akatemian tiloista 2015.

VILLA VÄINÖLÄ

Nelimarkka-museo - Villa Väinölä

Villa Väinölä, built in 1926, was designed by Alvar Aalto as a home and office for his brother, geodetic engineer, Väinö Aalto. The staircase leading to the second floor is decorated with ionic columns, whereas the arcade that faces the garden is supported by doric columns. The attached outbuilding with altered concept or architectural form was designed by Aalto in 1938.

In 1952, the ownership of Villa Väinölä was transferred to the city of Alajärvi. The building has served as the local doctor's office as well as a municipal office building. In 2015, the building was added to the domain of Nelimarkka Museum. Väinölä is currently being renovated and will be used for various cultural events in the future. Address: Väinöntie 4, Alajärvi

Nelimarkka-museo - Villa Väinölä

HISTORY

Nelimarkka-museo - Historia

EERO NELIMARKKA

Eero Nelimarkka was born October 1891 in Vaasa. He was the youngest child of tailor Erkki Nelimarkka and his wife Maria. The family had moved to Vaasa to find work, but their roots were in Alajärvi already since 1700’s. At the age of 12, Eero completed primary school, and was trained as a confectioner trough an apprenticeship. He received a scholarship by Vaasa Union of Craftsmen to study further in Stockholm and Lübeck.

Back in Finland, Nelimarkka moved to Helsinki in 1909. To ensure his living, he worked at the Löfström Bakery during the day. At night he studied drawing at the Society of Applied Arts. He wanted to attend the Ateneum drawing school, but lacking a secondary school diploma, he was refused. Artist Akseli Gallen-Kallela advised him to travel straight to Paris, which he did in 1912. After returning home from Paris, Eero Nelimarkka studied at the Art Faculty of Helsinki University in 1912-1914. His teacher was artist Eero Järnefelt.

Nelimarkka got married in 1918 with Saima Alaviitala from Alahärmä, and had four children: Eero Jaakko (1919 -1941), Katri Helena (1921-1983), Juha Antti Elias (1923-1990) and Esko Tuomas (1925-1997). As Eero Nelimarkka began his artist career in the 1910’s he belonged to a group called Marraskuu (November). Nelimarkka’s artistic style includes several experiments with colours and shapes, and contains cubistic and impressionist influences until the 1920’s.

Nelimarkka-museo - Historia

Nelimarkka’s art has always been grand. He is known for landscape paintings of Ostrobothnia: the plains and open skies. The paintings depicting farm buildings and cabin interiors convey a true Ostrobothnian atmosphere. Yet he did not only depict the Ostrobothnian nature, but painted also portraits, still lifes and urban scenery. His work portrays people from different fields of life: artists, soldiers, professors and politicians, as well as ordinary men and women. Nelimarkka did not paint without a model – therefore portraits of his wife Saima and himself cover his whole artistic career.

Nelimarkka was a true Cosmopolitan. He travelled a lot throughout the years. No lack of money, even in the time of war, could stop him from experiencing new places, and learning more about art. His works were exhibited in museums and galleries in Finland as well as abroad: from Moscow in 1917 to China in 1958, and Scandinavia, Kiel, Amsterdam, Antwerp, Berlin, Düsseldorf, Hamburg, Milan, Rome, Brussels, The Haag, Prague, Warsaw, Zürich, Florence, Paris, Lübeck, Leningrad and New York in between.

Eero Nelimarkka was a founding and honorary member of the Ostrobothnian Artists Association. In 1945 he established the Nelimarkka Foundation which is still the main owner of the Nelimarkka Museum’s collections. Eero Nelimarkka was given the title of professor in 1966. As an idealist, he wanted to establish an art school and a museum in Alajärvi, because he believed that art belonged equally to everyone. He especially felt that the people living far away from Helsinki, particularly the people in the region of Southern Ostrobothnia, had been left without a chance to discover art.

HISTORY OF THE MUSEUM

Nelimarkka-museo - Historia

Eero Nelimarkka returned to his parents’ birthplace at the end of the 1920’s. He bought property from Pekkola, where he had his summer house (known today as Villa Nelimarkka) built.

Already during the 1930’s, Nelimarkka had a dream of establishing his own art school. During the 1960’s, his financial situation allowed him to fulfill the dream. Professor Aune Lindström gave him the idea of connecting a museum to the art school.

Eero Nelimarkka asked his friend, architect Hilding Ekelund, to draw plans for the combined art school/museum building. The exterior of the building, first opened in 1964, is influenced by classical architecture. To the basement Ekelund designed studios for painting and sculpting purposes, though they were never used for the original purpose.

Nelimarkka-museo - Historia

Soon, the building was considered too small, and since Ekelund was not in good enough health to make any adjustments, Nelimarkka designed the extension building himself. The museum was extended twice during 1972-73. During the years 1996-97, the building was once again extended according to the plans made by architects Simo and Käpy Paavilainen, who had also planned the primary repairs to the building in 1980’s.

In 2013, a new extension, including a modern art storage was added to the building. Nelimarkka Museum was purchased by Alajärvi Municipality at 1981. In 1995 it became a Regional Art Museum.

EXHIBITIONS

Tiina Laasonen: Engram
9.6. - 2.9.2018, Nelimarkka Museum
The artwork of Tiina Laasonen is her language by which she reflects and considers humanity and her relationship with the environment. The important part of her work is the feeling of the material and the respect for its essence. The sensation and the visual perception are her instruments. The materials for installations and sculptures are selected depending on the idea and the location of the artwork. The working process is slow, silent and repeating the same work phase. Working with three-dimensional forms is an interaction of subject, material and space that she encounters. For her, sculpting is place for self-examination and introspection. The exhibition of Tiina Laasonen’s artwork in Nelimarkka Museum presents her latest wooden sculptures as well as her spatial and environmental works of art. The exhibition consists of three different series with the thematic of humanity. The series create a lifecycle from childhood memories trough finding a happiness to the importance of the memory in keeping and retaining own identity.

Sense Presence without Words series (2013-2014) intertwine around the thematic of silence experienced in the childhood. The artwork tells a story about tenderness, nursery and care - about those everyday moments when the presence can be felt without words. The pieces were made for an exhibition held at Galleria G in Helsinki in 2014.

The human need for happiness is the theme for the series Cascading Goodness (2015–2018). The inspiration of these works is derived from the Renaissance Hortus Conclusus, ”enclosed space”, where everything good falls down. The works of this series have been shown for example in Galleria Becker in Jyväskylä and in Rytmitaju 2017 art event in Hyvinkää.

The wooden sculptures of Shade of Memory series depict the meaning of memory, its nuances and its loss. The works of this series are previously unpublished.

A publication of Tiina Laasonen’s wooden sculptures will be published alongside the exhibition.

Tiina Laasonen (born in 1968, Kauhava) is a sculptor, environmental artist and an art teacher. During her artistic career she has actively worked in positions of responsibility in different art organizations. Laasonen lives and works in Seinäjoki, Finland. Her artwork has been showcased in several museums and galleries, both in Finland and abroad, and they can be found in public collections as well as in private collections. The Art Council of Ostrobothnia awarded Tiina Laasonen in 2017 for her extensive work as an artist.

Photo: Tiina Laasonen Nauha (detail), photographer Hannu Pettinen
Meri Pauniaho Prints
9.6. - 2.9.2018, Nelimarkka Museum
The printmaker Meri Pauniaho depicts in her work different kind of spaces, rooms and landscapes where the human presence can be sensed but the human is absent in the picture. The inspiration for these silent works striving for beauty is coming from important places of childhood, grandma’s place and the past homes. Trough her works Pauniaho deals with the human existence, the formation of identity and the justification of memory and memories.

The works of the exhibition can be roughly divided into three types: interiors, landscapes and descriptions of nature. All of these works are combined with the fusion of experienced and imagined, many different perspectives, multi-colored appearance and the richness of the surface structure. However, they all continue to deal with the same thematic – the remembrance, memories and places of memory.

The works lean starkly on the events of Pauniaho’s personal life. Yet at the same time they can also be viewed as a general depictions, for example as a small ethnological studies of strangely familiar objects or trough the panda character – a kind of an alter-ego for the artist – as reference to the current topics about pandas in the zoos, for example in Ähtäri Wildlife or to the Finnish nature and its future.

Pauniaho makes small series that consist of 4 to 6 prints. The works are printed from a pvc-board either by using one or several different techniques. Pauniaho works with one board technique, and in one print there are usually four to six color layers, sometimes even from nine to ten.

Meri Pauniaho (b. 1972) is a printmaker that works and lives in Rauma but she has roots in South Ostrobotnia. She is a member of The Association of Finnish Printmakers and the Association of the printmakers in Rauma. She graduated as visual artist from the Institution of Design of Lahti University of Applied Sciences in 2014. Pauniaho has also a degree in textile art.
Permanent Exhibition - Masters Together
Nelimarkka Museum
Key elements of the Masters Together exhibition have been turned into a permanent exhibition until the end of 2017. The exhibition is part of the Programme on the centenary of Finland’s independence. The exhibition depicts the life and work of architect Alvar Aalto and painter Eero Nelimarkka, focusing on their connections to Alajärvi. The small town played a part in both master’s lives –in their childhood, in the beginning of Finland’s independence, during the war years and their elderliness.

In many ways Eero Nelimarkka (b. 1891 Vaasa – d. 1977 Helsinki) and Alvar Aalto (b. 1898 Kuortane – d. 1976 Helsinki) were opposites in their character and ideology. However, they were contemporaries and faced similar challenges in creative matters and the society around them.

Alajarvi was a significant part of both Nelimarkka and Aalto’s lives. Both were cultured and traveled the world to gain influences, learn new and make contacts. Alajärvi was the counterbalancing force with its calm atmosphere close to nature and ordinary people.

Masters Together exhibition introduces the Master’s connection to Alajärvi with mutual themes: Paris, Alajärvi Church, the Beginning of Finland’s Independence, Italy, the National Architect and Painter of the National Landscape, the War Years and their Dreams. The exhibition features a timeline throughout the Master’s lives, focusing on images of Aalto’s buildings in Alajärvi and Nelimarkka’s paintings from different decades and styles.

Eero Nelimarkka was born in Vaasa and lived most of his life in Helsinki, but his parents were originally from Alajärvi. In 1933 Nelimarkka built a villa in Alajärvi and started painting the Ostrobothnian flatlands with a new perspective. The so called Nelimarkka Landscape was born. In 1964 the artist fulfilled a long term dream and built a museum on his ancestor’s grounds.

Alvar Aalto was born in Kuortane, spent his school years in Jyväskylä and summers in Alajärvi. Aalto’s work in Alajärvi can be divided in three periods: works of the young architecture student, such as Alajärvi Youth Association Building in 1920, the classical period with Alajärvi Hospital (1925)and Villa Väinölä (1926) and famous maestro’s Alajärvi Center (1967-1991).

EVENTS

Marja Kolu: From Face to Face
Villa Väinölä
14.6.-27.7.

Marja Kolu’s From Face to Face is an interactive art project that gets together self-imposed models who volunteer for her portrait workshop. Kolu arranges a meetig with the model to a familiar space or alternatively organizes a drawing spot at a public location. Before drawing the actual portrait, the models will take a glimpse at the classics of the art of portrait and discuss different procedures of making a portrait. The models can also express their own ideas and thoughts that arise by glancing their own photo-albums. Kolu’s first interactive portrait workshop took place at the fishing port in Vaasa in 2013. Now it is time for Villa Väinölä by Alvar Aalto to function as a location for Kolu’s workshops and exhibition.

From Face to Face project is based on human interaction and discussion. The interactive art project is one of the forms of contemporary art. Researcher Nicholas Bourriaud described this procedure in his essay Relational Aesthetics. According to Bourriaud, the interaction can be for example association with each other, talking or standing as a living sculpture. The art space is therefore either a museum, a stall at a market in a public space, a café or another suitable place wherever. The artwork exists only trough interaction. Kolu’s portraits are therefore not a series of portraits in a traditional sense. The outcome is the concrete facial portrait drawing on paper. Kolu’s drawings will be collected together into an exhibition and some citations from the discussions will also be shown. The exhibition consists of hand-drawn and water-colored portraits which were drawn during the last three years in Ostrobothnia. The artist continues the interactive drawing in Alajärvi along the exhibition. Born in Keminmaa, nowadays living and working in Korsholm (Mustasaari), Kolu has worked as an artist and a curator in several exhibition projects. She has also worked as a provincial artist of the visual arts and has realized many interdisciplinary art projects and public works.

The exhibition is supported by the Cultural Committee of the Regional Douncil of Ostrobothnia, the Department of Culture of the Municipality of Korsholm and the fund of South Ostrobothnia of the Finnish Cultural Foundation.

Open during the exhibition 14.6.-27.7. Tue-Fri 13-17

The dates and time of the portrait workshops:
Sat 30.6., Sun 1.7., Sat 7.7. and Sun 8.7.
All days from 11 to 15:30

Villa Väinölä
Väinöntie 4, Alajärvi

The volunteering models can enroll in by contacting info@nelimarkka-museo.fi/06 5572129
Around 5 or 6 models per day fit in.

Information

The Regional Art Museum of Southern Ostrobotnia


Pekkolantie 115, 62900 Alajärvi, Finland

Opening hours

Tue-Fri 11am-5pm
Sat 12am-4pm
Sun 12am-5pm
Mon closed
Closed during Juhannus, 22th - 24th of June

Admission:
adults 6€ / children 4€ / free admission under 12 years old
We accept also the Museum Card!

Information and reservations

tel. +358 6 5572129, info@nelimarkka-museo.fi
  

Staff

Maria Lampinen

Museum Director
tel. +358 44 2970489
maria.lampinen@alajarvi.fi

Elina Alkio

Curator of Education
tel. +358 6 5572129, +358 44 2970501
elina.alkio@alajarvi.fi



Päivi Haapaniemi

Culture Secretary
tel. +358 6 5572129, +358 40 7758077
paivi.haapaniemi@alajarvi.fi

Petri Koskenmäki

Technician
tel. +358 6 5572129

Tarja Ahopelto

Museum Assistant
tel. +358 6 5572129